Tuesday, October 15, 2013

Gravity; Neil deGrasse Tyson Misses the Point

Robert:

From Andrew Sullivan's blog, The Dish:


Mysteries of : Why Bullock's hair, in otherwise convincing zero-G scenes, did not float freely on her head.
In real life, people don’t talk the way they do in movies or television or (especially) books. Real locations aren’t styled, lit, or shot the way they are on screen. The basic conceits of point of view in literature actually make no sense and are in no way “realistic.” Realism isn’t verisimilitude. It’s a set of stylistic conventions that evolve over time, are socially agreed upon, and are hotly contested. The presence of these conventions is not a sign of quality. Departure from them is not a sign of quality’s absence.
The Realism Canard is the most depressing trend in criticism I have ever encountered. I would rather read thousands of posts of dismissive snark about my favorite books than read one more blog post about something that happened in a work of fiction wasn’t realistic or factually accurate to our world as we know it. … [W]e’re talking here not only about the complete misreading of what something is (fiction vs. nonfiction), but the holding of something to a standard it isn’t trying to attain and often isn’t interested in (absolute verisimilitude). We’re talking about the reduction of truth to accuracy.



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